The Problem We Solve
In modern film production and color-managed workflows, working in a logarithmic color space is essential. Log curves stretch and allocate image data symmetrically, preserving delicate highlights and shadow transitions. However, standard media assets (stock graphics, mobile footage, client references) are commonly delivered in standard, display-referred sRGB or Rec.709 space.
Applying creative cinema LUTs directly onto standard sRGB files causes immediate clipping, excessive noise, and color distortions. Our online utility undoes these display curves programmatically, converting compressed images into flat, grading-friendly log intermediates like Sony S-Log3, ARRI LogC, or Canon C-Log.